Vera Schwarcz is Emerita Professor of History and East Asian Studies and Senior Research Fellow at Truman Institute, Hebrew University. She held the Freeman Chair at Wesleyan University. Her BA was from Vassar College with a MA from Yale, a MAA from Wesleyan University and a Ph.D. from Stanford University.

Born in Romania, Schwarcz has taught Chinese history at Stanford University, Wesleyan University, as well as at Hebrew University in Jerusalem, Beijing University and Centre Chine in Paris. She servied as Director of the Freeman Center for East Asian Studies and Chair of the East Asian Studies Program at Wesleyan. Her works were awarded the Guggenheim Fellowship, a Fullbright Fellowship, a Woodrow Wilson Fellowship and a Lady Davis Fellowship and was nominated for the National Jewish Book Award. She also received poetry grants from the Wesleyan Writers’ Conference as well as from Great River Arts in Patzcuaro, Mexico. 

Vera Schwarcz is the author of many prize-winning books and celebrated articles. Her literary contributions include:

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Books of Poetry

  • While the Mongering Wolf Slept: Talmud Poems Volume 4 (2023)– This is the fourth of several volumes of poems based on the daily Talmud study called Daf Yomi. Written in a contemporary lexicon, these verses aim to bring alive a connection to past and future alike. The poems also paint a universal picture of humanity’s search for sacredness in the concrete details of material life.
  • Each Page Must Have Its Song: Talmud Poems Volume 3 (2023) – This is the third of several volumes of poems based on the daily Talmud study called Daf Yomi. Written in a contemporary lexicon, these verses aim to bring alive a connection to past and future alike. The poems also paint a universal picture of humanity’s search for sacredness in the concrete details of material life.
  • Murmurings from Sea and Sky: Talmud Poems, Volume 2 (2022) – This is the second of several volumes of poems based on the daily Talmud study called Daf Yomi. Written in a contemporary lexicon, these verses aim to bring alive a connection to past and future alike. The poems also paint a universal picture of humanity’s search for sacredness in the concrete details of material life.
  • Smelling Sweetness Is No Theft: Talmud Poems, Volume 1 (2022) – This is the first of several volumes of poems based on the daily Talmud study called Daf Yomi. Written in a contemporary lexicon, these verses aim to bring alive a connection to past and future alike. The poems also paint a universal picture of humanity’s search for sacredness in the concrete details of material life.
  • Chisel of Remembrance (Antrim House, 2009) – Devoted to the premise that in the cultural and communal traditions of all peoples, be they Chinese, Jewish or Tibetan, there is what Yeats called a ceremony of innocence offering salvation from the mere anarchy loosed when the past is forgotten. In poems concerning the classical arts of creation, the value of remembrance, the havoc wrought by war and revolution, and the peace gained by ancient practices of meditation and devotion to the present, the author urges us to hear the voice within the silence.
  • In The Garden of Memory– a collaboration with the Prague-born Israeli artist Chava Pressburger
  • Breaking the Dawn: Poetry as Love in a Time of Hardship (with Ruby Steinberg-Wolfe)
  • Brief Rest in the Garden of Flourishing Grace (Red Heifer Press, 2009) – Poems of Remembrance and Loss by the Manchu Prince Yihuan
  • Truth is Woven (Premier Poets Chapbook Series, 2005)
  • A Scoop of Light (March Street Press, 2000)
  • Fresh Words for a Jaded World – and selected poems (Blue Feather Press, 2000)
  • The Last Foreign Language: A Memoir in Verse – A poetic meditation on language intertwined with personal history, memory and tradition. The poet searches for a place to call home “in between words of many tongues.”

Articles

Vera Schwarcz has been featured in many prominent articles, interviews and press releases. These include

Public Appearance: Videos